Question:
Bwahahahahaha! Too fuckin funny! – Hide quoted text — Show quoted text -> by Michael Christopher > PopMatters Music Critic > On the ferry platform at Penn’s Landing on the Philadelphia side of the > Delaware River, where most Tweeter Center concert goers migrate from, > the good natured Dave or Sammy dispute raged. > Bringing out the time tested hits "Panama", Ain’t Talkin’ ‘Bout Love", > and "Ice Cream Man", Roth also dug deep into the Van Halen catalog for > the chestnuts "D.O.A." and "So This Is Love?" His band was tight, and, > for the most part, stayed in the background. Roth’s voice, which has > been up and down over the past few years, was primed for the evening, > and there weren’t many notes in his limited range that he missed. > Looking freakishly fit for his age, well tanned and muscular, the hair > thinning but still intact, Roth threw high kicks and did the toe > touching "Air-Roth" off of the drum riser with ease. Even playing the > part of sexy rock god doesn’t seem staged, it seems like the man many > consider to be rock’s greatest frontman truly believes he is 18 again. > Hagar, on the other hand, looks like he has forgotten what it means to > rock and roll, and has surprisingly become more of a parody of his > former self than Roth. Once the scrappy boxing glove clad singer for > Montrose and later Van Halen, Hagar is now the goofy and affable Cabo > Wabo guy. Bringing onstage two sets of bleachers filled with the most > drunken fans available from Philadelphia, a makeshift bar, and > waitresses delivering drinks in skimpy outfits, it was Hagar, and not > Roth, who went for the cheap cheers by getting the titty-cam started. > Hagar ambled across the stage in a display of shameless self-promotion > with his "Cabo Wabo" T-shirt on, intent on playing the role of "the > working man’s rocker." > Opening with the horrendous "Shaka Doobie" from his latest album, Ten > 13, Hagar weaved in and out of too many numbers from his less than > prolific solo outings along with his standard fare of Van Halen songs > that his backing band seemed intent on butchering. Telling stories > before many of them about how he and Eddie originally came up with the > compositions, Hagar seemed like a man pining for an ex-wife, playing > with more or less resignation than emotion. By the time he closed his > set with "Dreams" from the Van Halen landmark 5150, much of the crowd > had already begun to walk out. Perhaps it was for the best, as they > missed his multiple failures to reach the high notes of the track. > "Song for a song," the evening clearly belonged to Roth. The quality of > music, the stage presence and the selection of hits played all pointed > to a win. Hagar was spent and didn’t care about the sound of the band or > his appearance. Going through the motions was painfully Sammy’s show, > while Dave was out to prove himself.
Response:
You still wear Spandex, don’t you? – Hide quoted text — Show quoted text – > Bwahahahahaha! Too fuckin funny! > by Michael Christopher > PopMatters Music Critic > On the ferry platform at Penn’s Landing on the Philadelphia side of the > Delaware River, where most Tweeter Center concert goers migrate from, > the good natured Dave or Sammy dispute raged. > Bringing out the time tested hits "Panama", Ain’t Talkin’ ‘Bout Love", > and "Ice Cream Man", Roth also dug deep into the Van Halen catalog for > the chestnuts "D.O.A." and "So This Is Love?" His band was tight, and, > for the most part, stayed in the background. Roth’s voice, which has > been up and down over the past few years, was primed for the evening, > and there weren’t many notes in his limited range that he missed. > Looking freakishly fit for his age, well tanned and muscular, the hair > thinning but still intact, Roth threw high kicks and did the toe > touching "Air-Roth" off of the drum riser with ease. Even playing the > part of sexy rock god doesn’t seem staged, it seems like the man many > consider to be rock’s greatest frontman truly believes he is 18 again. > Hagar, on the other hand, looks like he has forgotten what it means to > rock and roll, and has surprisingly become more of a parody of his > former self than Roth. Once the scrappy boxing glove clad singer for > Montrose and later Van Halen, Hagar is now the goofy and affable Cabo > Wabo guy. Bringing onstage two sets of bleachers filled with the most > drunken fans available from Philadelphia, a makeshift bar, and > waitresses delivering drinks in skimpy outfits, it was Hagar, and not > Roth, who went for the cheap cheers by getting the titty-cam started. > Hagar ambled across the stage in a display of shameless self-promotion > with his "Cabo Wabo" T-shirt on, intent on playing the role of "the > working man’s rocker." > Opening with the horrendous "Shaka Doobie" from his latest album, Ten > 13, Hagar weaved in and out of too many numbers from his less than > prolific solo outings along with his standard fare of Van Halen songs > that his backing band seemed intent on butchering. Telling stories > before many of them about how he and Eddie originally came up with the > compositions, Hagar seemed like a man pining for an ex-wife, playing > with more or less resignation than emotion. By the time he closed his > set with "Dreams" from the Van Halen landmark 5150, much of the crowd > had already begun to walk out. Perhaps it was for the best, as they > missed his multiple failures to reach the high notes of the track. > "Song for a song," the evening clearly belonged to Roth. The quality of > music, the stage presence and the selection of hits played all pointed > to a win. Hagar was spent and didn’t care about the sound of the band or > his appearance. Going through the motions was painfully Sammy’s show, > while Dave was out to prove himself.
Response:
So glad to hear you never had an "off" night.
– Hide quoted text — Show quoted text -> Bwahahahahaha! Too fuckin funny! > by Michael Christopher > PopMatters Music Critic > On the ferry platform at Penn’s Landing on the Philadelphia side of the > Delaware River, where most Tweeter Center concert goers migrate from, > the good natured Dave or Sammy dispute raged. > Bringing out the time tested hits "Panama", Ain’t Talkin’ ‘Bout Love", > and "Ice Cream Man", Roth also dug deep into the Van Halen catalog for > the chestnuts "D.O.A." and "So This Is Love?" His band was tight, and, > for the most part, stayed in the background. Roth’s voice, which has > been up and down over the past few years, was primed for the evening, > and there weren’t many notes in his limited range that he missed. > Looking freakishly fit for his age, well tanned and muscular, the hair > thinning but still intact, Roth threw high kicks and did the toe > touching "Air-Roth" off of the drum riser with ease. Even playing the > part of sexy rock god doesn’t seem staged, it seems like the man many > consider to be rock’s greatest frontman truly believes he is 18 again. > Hagar, on the other hand, looks like he has forgotten what it means to > rock and roll, and has surprisingly become more of a parody of his > former self than Roth. Once the scrappy boxing glove clad singer for > Montrose and later Van Halen, Hagar is now the goofy and affable Cabo > Wabo guy. Bringing onstage two sets of bleachers filled with the most > drunken fans available from Philadelphia, a makeshift bar, and > waitresses delivering drinks in skimpy outfits, it was Hagar, and not > Roth, who went for the cheap cheers by getting the titty-cam started. > Hagar ambled across the stage in a display of shameless self-promotion > with his "Cabo Wabo" T-shirt on, intent on playing the role of "the > working man’s rocker." > Opening with the horrendous "Shaka Doobie" from his latest album, Ten > 13, Hagar weaved in and out of too many numbers from his less than > prolific solo outings along with his standard fare of Van Halen songs > that his backing band seemed intent on butchering. Telling stories > before many of them about how he and Eddie originally came up with the > compositions, Hagar seemed like a man pining for an ex-wife, playing > with more or less resignation than emotion. By the time he closed his > set with "Dreams" from the Van Halen landmark 5150, much of the crowd > had already begun to walk out. Perhaps it was for the best, as they > missed his multiple failures to reach the high notes of the track. > "Song for a song," the evening clearly belonged to Roth. The quality of > music, the stage presence and the selection of hits played all pointed > to a win. Hagar was spent and didn’t care about the sound of the band or > his appearance. Going through the motions was painfully Sammy’s show, > while Dave was out to prove himself.
Response:
Sammy has been around a long time and has many a hit record. What have you done? What amp do you use?
Response:
Probably should retire like a whole raft of other wash ups I can think of ….Stones and Plant anyone 
Ian donning his asbestos suit
Response:
> Probably should retire like a whole raft of other wash ups I can think of > ….Stones and Plant anyone > Ian donning his asbestos suit
Actually, the Stones give us old guys "hope"… He gets out there at his age, and jumps around like a shocked rabbit, and gets paid millions…. I’ll take thousands and do it.. He’s like the George Forman of rock..! ! ! gtski
Response:
Yeh, Sammy was too interested in selling his shit tequila instead of being a musician. I don’t blame him though, he’s probably broke because he’s so stupid. – Hide quoted text — Show quoted text -> by Michael Christopher > PopMatters Music Critic > On the ferry platform at Penn’s Landing on the Philadelphia side of the > Delaware River, where most Tweeter Center concert goers migrate from, > the good natured Dave or Sammy dispute raged. > Bringing out the time tested hits "Panama", Ain’t Talkin’ ‘Bout Love", > and "Ice Cream Man", Roth also dug deep into the Van Halen catalog for > the chestnuts "D.O.A." and "So This Is Love?" His band was tight, and, > for the most part, stayed in the background. Roth’s voice, which has > been up and down over the past few years, was primed for the evening, > and there weren’t many notes in his limited range that he missed. > Looking freakishly fit for his age, well tanned and muscular, the hair > thinning but still intact, Roth threw high kicks and did the toe > touching "Air-Roth" off of the drum riser with ease. Even playing the > part of sexy rock god doesn’t seem staged, it seems like the man many > consider to be rock’s greatest frontman truly believes he is 18 again. > Hagar, on the other hand, looks like he has forgotten what it means to > rock and roll, and has surprisingly become more of a parody of his > former self than Roth. Once the scrappy boxing glove clad singer for > Montrose and later Van Halen, Hagar is now the goofy and affable Cabo > Wabo guy. Bringing onstage two sets of bleachers filled with the most > drunken fans available from Philadelphia, a makeshift bar, and > waitresses delivering drinks in skimpy outfits, it was Hagar, and not > Roth, who went for the cheap cheers by getting the titty-cam started. > Hagar ambled across the stage in a display of shameless self-promotion > with his "Cabo Wabo" T-shirt on, intent on playing the role of "the > working man’s rocker." > Opening with the horrendous "Shaka Doobie" from his latest album, Ten > 13, Hagar weaved in and out of too many numbers from his less than > prolific solo outings along with his standard fare of Van Halen songs > that his backing band seemed intent on butchering. Telling stories > before many of them about how he and Eddie originally came up with the > compositions, Hagar seemed like a man pining for an ex-wife, playing > with more or less resignation than emotion. By the time he closed his > set with "Dreams" from the Van Halen landmark 5150, much of the crowd > had already begun to walk out. Perhaps it was for the best, as they > missed his multiple failures to reach the high notes of the track. > "Song for a song," the evening clearly belonged to Roth. The quality of > music, the stage presence and the selection of hits played all pointed > to a win. Hagar was spent and didn’t care about the sound of the band or > his appearance. Going through the motions was painfully Sammy’s show, > while Dave was out to prove himself.
Response:
I walked out on Sammy and vh when they played their Monsters tour. They were a major let down after Metallica. The show was boring as fuck, nothing like the original vh. – Hide quoted text — Show quoted text – > Yeh, Sammy was too interested in selling his shit tequila instead of > being a musician. I don’t blame him though, he’s probably broke because > he’s so stupid. > > by Michael Christopher > > PopMatters Music Critic > > On the ferry platform at Penn’s Landing on the Philadelphia side of the > > Delaware River, where most Tweeter Center concert goers migrate from, > > the good natured Dave or Sammy dispute raged. > > Bringing out the time tested hits "Panama", Ain’t Talkin’ ‘Bout Love", > > and "Ice Cream Man", Roth also dug deep into the Van Halen catalog for > > the chestnuts "D.O.A." and "So This Is Love?" His band was tight, and, > > for the most part, stayed in the background. Roth’s voice, which has > > been up and down over the past few years, was primed for the evening, > > and there weren’t many notes in his limited range that he missed. > > Looking freakishly fit for his age, well tanned and muscular, the hair > > thinning but still intact, Roth threw high kicks and did the toe > > touching "Air-Roth" off of the drum riser with ease. Even playing the > > part of sexy rock god doesn’t seem staged, it seems like the man many > > consider to be rock’s greatest frontman truly believes he is 18 again. > > Hagar, on the other hand, looks like he has forgotten what it means to > > rock and roll, and has surprisingly become more of a parody of his > > former self than Roth. Once the scrappy boxing glove clad singer for > > Montrose and later Van Halen, Hagar is now the goofy and affable Cabo > > Wabo guy. Bringing onstage two sets of bleachers filled with the most > > drunken fans available from Philadelphia, a makeshift bar, and > > waitresses delivering drinks in skimpy outfits, it was Hagar, and not > > Roth, who went for the cheap cheers by getting the titty-cam started. > > Hagar ambled across the stage in a display of shameless self-promotion > > with his "Cabo Wabo" T-shirt on, intent on playing the role of "the > > working man’s rocker." > > Opening with the horrendous "Shaka Doobie" from his latest album, Ten > > 13, Hagar weaved in and out of too many numbers from his less than > > prolific solo outings along with his standard fare of Van Halen songs > > that his backing band seemed intent on butchering. Telling stories > > before many of them about how he and Eddie originally came up with the > > compositions, Hagar seemed like a man pining for an ex-wife, playing > > with more or less resignation than emotion. By the time he closed his > > set with "Dreams" from the Van Halen landmark 5150, much of the crowd > > had already begun to walk out. Perhaps it was for the best, as they > > missed his multiple failures to reach the high notes of the track. > > "Song for a song," the evening clearly belonged to Roth. The quality of > > music, the stage presence and the selection of hits played all pointed > > to a win. Hagar was spent and didn’t care about the sound of the band or > > his appearance. Going through the motions was painfully Sammy’s show, > > while Dave was out to prove himself.
Response:
you might want to reread that post, tough guy
– Hide quoted text — Show quoted text -> I walked out on Sammy and vh when they played their Monsters tour. They > were a major let down after Metallica. The show was boring as fuck, > nothing like the original vh > It wasn’t the original vh. Did you expect it to be? > ~kp
Response:
>The show was boring as fuck, >nothing like the original vh.
What was so great about Van Halen, at any time, or any configuation. Drunk, goofy, Eddie with his idiot’s grin and his lousy drummer brother and the weakest bass player I ever heard (next to Sid Vicious).
Response:
>What was so great about Van Halen, at any time, or any configuation. Drunk,
goofy, Eddie with his idiot’s grin and his lousy drummer brother and the weakest bass player I ever heard (next to Sid Vicious). I’m not even a VH fan but I certainly know better than the above. The VH brothers are exceptional players and Anthony takes care of business.
Response:
> > I walked out on Sammy and vh when they played their Monsters tour. They > were a major let down after Metallica. The show was boring as fuck, > nothing like the original vh > It wasn’t the original vh. Did you expect it to be? > ~kp
Reread my post, bitch. Sounds like YOU expected them to be.
Response:
>What was so great about Van Halen, at any time, or any configuation. Drunk, > goofy, Eddie with his idiot’s grin and his lousy drummer brother and the > weakest bass player I ever heard (next to Sid Vicious). > I’m not even a VH fan but I certainly know better than the above. The VH > brothers are exceptional players and Anthony takes care of business.
I don’t hold VH’s successes against them, but I’ve got to ask that if the drummer is "an exceptional player" who would you say is bad? That guy is just below adequate. Of famous drummers, Dennis Wilson of the Beach Boys is the only one that is that bad IMO( Lars from Metallica comes close). The guy struggles to get back on the after barely executing a simple paradiddle. Flams are out of his skill set. No. He really is a bad drummer. I’m not a fan of Eddies one trick pony stylings either, but I give him credit for being a stand up guy and keeping his brother along for the whole ride. As for the bass player, he is pretty pedestrian, but at least he can keep it on the beat and play the root. But what he does is certainly not artistic or even above the beginner’s level, but he does it without many mistakes. He does a bland basic thing, which is OK, but couple that to a really bad drummer and you have the makings of a lame rythym section.
Response:
>>The show was boring as fuck, >nothing like the original vh. >What was so great about Van Halen, at any time, or any configuation. Drunk, >goofy, Eddie with his idiot’s grin and his lousy drummer brother and the >weakest bass player I ever heard (next to Sid Vicious).
Whatever, they fucking rocked. The whole point was they played you had a good time. Eddy can play. Remember this was the late 70s early 80s there weren’t a lot of "whoa, what’d he just do" guitar moments listening to the radio then. Eddie plays loose free and is really a great rhythm player. His drummer brother drives great and Michael Anthony does the smart thing and stays the fuck out of the way. What’s not to like. We hadn’t seen musical personalities like that since the Who. Ron
Response:
> Whatever, they fucking rocked.
Well put! — Donnie Vazquez Sunderland, MD
Response:
I imagine a lot of people have walked out on Sammy during his career. He was probably used to it and didn’t notice. – Hide quoted text — Show quoted text – > Yeh, Sammy was too interested in selling his shit tequila instead of > being a musician. I don’t blame him though, he’s probably broke because > he’s so stupid. > > by Michael Christopher > > PopMatters Music Critic > > On the ferry platform at Penn’s Landing on the Philadelphia side of the > > Delaware River, where most Tweeter Center concert goers migrate from, > > the good natured Dave or Sammy dispute raged. > > Bringing out the time tested hits "Panama", Ain’t Talkin’ ‘Bout Love", > > and "Ice Cream Man", Roth also dug deep into the Van Halen catalog for > > the chestnuts "D.O.A." and "So This Is Love?" His band was tight, and, > > for the most part, stayed in the background. Roth’s voice, which has > > been up and down over the past few years, was primed for the evening, > > and there weren’t many notes in his limited range that he missed. > > Looking freakishly fit for his age, well tanned and muscular, the hair > > thinning but still intact, Roth threw high kicks and did the toe > > touching "Air-Roth" off of the drum riser with ease. Even playing the > > part of sexy rock god doesn’t seem staged, it seems like the man many > > consider to be rock’s greatest frontman truly believes he is 18 again. > > Hagar, on the other hand, looks like he has forgotten what it means to > > rock and roll, and has surprisingly become more of a parody of his > > former self than Roth. Once the scrappy boxing glove clad singer for > > Montrose and later Van Halen, Hagar is now the goofy and affable Cabo > > Wabo guy. Bringing onstage two sets of bleachers filled with the most > > drunken fans available from Philadelphia, a makeshift bar, and > > waitresses delivering drinks in skimpy outfits, it was Hagar, and not > > Roth, who went for the cheap cheers by getting the titty-cam started. > > Hagar ambled across the stage in a display of shameless self-promotion > > with his "Cabo Wabo" T-shirt on, intent on playing the role of "the > > working man’s rocker." > > Opening with the horrendous "Shaka Doobie" from his latest album, Ten > > 13, Hagar weaved in and out of too many numbers from his less than > > prolific solo outings along with his standard fare of Van Halen songs > > that his backing band seemed intent on butchering. Telling stories > > before many of them about how he and Eddie originally came up with the > > compositions, Hagar seemed like a man pining for an ex-wife, playing > > with more or less resignation than emotion. By the time he closed his > > set with "Dreams" from the Van Halen landmark 5150, much of the crowd > > had already begun to walk out. Perhaps it was for the best, as they > > missed his multiple failures to reach the high notes of the track. > > "Song for a song," the evening clearly belonged to Roth. The quality of > > music, the stage presence and the selection of hits played all pointed > > to a win. Hagar was spent and didn’t care about the sound of the band or > > his appearance. Going through the motions was painfully Sammy’s show, > > while Dave was out to prove himself.
Response:
>Now you’re talkin’! I’d buy that, Montrose was smokin’ for their day. Get >on my "Bad Motor Scooter" and ride, YEAH!!
Naaahhh Space Station #5…… — Satellite Blues "You Can Stick It Where It Hurts…MAC!"
Response:
I was at a party once and the guy began to play Sammy Hagar tunes. People then walked out and were saying "This party sucks!" It’s a mystery to me how anyone can enjoy his music, it sounds so dated. – Hide quoted text — Show quoted text -> I walked out on Sammy and vh when they played their Monsters tour. They > were a major let down after Metallica. The show was boring as fuck, > nothing like the original vh. > Yeh, Sammy was too interested in selling his shit tequila instead of > being a musician. I don’t blame him though, he’s probably broke because > he’s so stupid. > > > by Michael Christopher > > > PopMatters Music Critic > > > On the ferry platform at Penn’s Landing on the Philadelphia side of the > > > Delaware River, where most Tweeter Center concert goers migrate from, > > > the good natured Dave or Sammy dispute raged. > > > Bringing out the time tested hits "Panama", Ain’t Talkin’ ‘Bout Love", > > > and "Ice Cream Man", Roth also dug deep into the Van Halen catalog for > > > the chestnuts "D.O.A." and "So This Is Love?" His band was tight, and, > > > for the most part, stayed in the background. Roth’s voice, which has > > > been up and down over the past few years, was primed for the evening, > > > and there weren’t many notes in his limited range that he missed. > > > Looking freakishly fit for his age, well tanned and muscular, the hair > > > thinning but still intact, Roth threw high kicks and did the toe > > > touching "Air-Roth" off of the drum riser with ease. Even playing the > > > part of sexy rock god doesn’t seem staged, it seems like the man many > > > consider to be rock’s greatest frontman truly believes he is 18 again. > > > Hagar, on the other hand, looks like he has forgotten what it means to > > > rock and roll, and has surprisingly become more of a parody of his > > > former self than Roth. Once the scrappy boxing glove clad singer for > > > Montrose and later Van Halen, Hagar is now the goofy and affable Cabo > > > Wabo guy. Bringing onstage two sets of bleachers filled with the most > > > drunken fans available from Philadelphia, a makeshift bar, and > > > waitresses delivering drinks in skimpy outfits, it was Hagar, and not > > > Roth, who went for the cheap cheers by getting the titty-cam started. > > > Hagar ambled across the stage in a display of shameless self-promotion > > > with his "Cabo Wabo" T-shirt on, intent on playing the role of "the > > > working man’s rocker." > > > Opening with the horrendous "Shaka Doobie" from his latest album, Ten > > > 13, Hagar weaved in and out of too many numbers from his less than > > > prolific solo outings along with his standard fare of Van Halen songs > > > that his backing band seemed intent on butchering. Telling stories > > > before many of them about how he and Eddie originally came up with the > > > compositions, Hagar seemed like a man pining for an ex-wife, playing > > > with more or less resignation than emotion. By the time he closed his > > > set with "Dreams" from the Van Halen landmark 5150, much of the crowd > > > had already begun to walk out. Perhaps it was for the best, as they > > > missed his multiple failures to reach the high notes of the track. > > > "Song for a song," the evening clearly belonged to Roth. The quality of > > > music, the stage presence and the selection of hits played all pointed > > > to a win. Hagar was spent and didn’t care about the sound of the band or > > > his appearance. Going through the motions was painfully Sammy’s show, > > > while Dave was out to prove himself.
Response:
> It’s a > mystery to me how anyone can enjoy his music, it sounds so dated.
What do you expect? It’s called "Classic Rock" and it’s from an era when people still remembered how to play and sing. Mind you, I’d rather listen to classic rock than a lot of this New Weenie bullshit that’s more about tattoos, body-piercings, watch caps and NOISE than anything that even closely resembles music. Music by men Vs. noise by boys . . . where’s the contest? <yawn> ~kp
Response:
Hail to the BOD I hear what your saying but if came to the choice of any of these "new" metal/rock bands I would take that anyday as opposed to the Pop idols shit. In the UK we dont have a radio choice as in the states. There is not one station that plays rock music at all and the only real chance to listen to any type of rock music are some of the channels on Sky TV – mtv 2, amp, scuzz and so on. Jools Holland is about the only programme that plays a mixture of music ala the Old Grey Whistle Test. Happy new year to you all. — Dave (MIB) from Co. Durham http://www.daveritchie.com
– Hide quoted text — Show quoted text -> It’s a > mystery to me how anyone can enjoy his music, it sounds so dated. > What do you expect? It’s called "Classic Rock" and it’s from an era when > people still remembered how to play and sing. Mind you, I’d rather listen > to classic rock than a lot of this New Weenie bullshit that’s more about > tattoos, body-piercings, watch caps and NOISE than anything that even > closely resembles music. Music by men Vs. noise by boys . . . where’s the > contest? <yawn> > ~kp
Response:
> I hear what your saying but if came to the choice of any of these "new" > metal/rock bands I would take that anyday as opposed to the Pop idols > shit.
I think I might have to agree with that. ~kp
Response:
> > It’s a > mystery to me how anyone can enjoy his music, it sounds so dated. > What do you expect? It’s called "Classic Rock" and it’s from an era
I’m talking ‘dated’ like ’80’s cheese rock’ not ‘classic rock’.
Response:
> > What do you expect? It’s called "Classic Rock" > I’m talking ‘dated’ like ’80’s cheese rock’ not ‘classic rock’.
Try Sammy with Montrose. ’80’s cheese rock hadn’t happened yet. ~kp
Response:
Double space station # 5 on Kent Pearson. What did kentie ever achive in his life? – Hide quoted text — Show quoted text ->Now you’re talkin’! I’d buy that, Montrose was smokin’ for their day. Get >on my "Bad Motor Scooter" and ride, YEAH!! > Naaahhh Space Station #5……
Response:
>>I hear what your saying but if came to the choice of any of these "new" >metal/rock bands I would take that anyday as opposed to the Pop idols >shit. > I think I might have to agree with that. > ~kp
I’d move. dw